Eugenia Ivanissevich is an artist and  educator. Originally from  Argentina,                         
            she grew-up in  several countries and languages. She  originally  trained in                        
            Fine Art at Central Saint Martins and later completed  her MA in Photography                        
            at the Royal College of Art, London.                                                                
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            She was Personal Tutor on the MA Photography programme at the Royal College 
            of Art from 2017 to 2021, lecturer at Arts University Bournemouth on the 
            BA (Hons) Fine Art course from 2017 to 2021 and currently Senior Lecturer on 
            the BA (Hons) Photography course at Arts University Bournemouth.
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            She   participated   in  Material / Immaterial,  an  experimental  Risograph                 
            publication  curated  by  Rodrigo  Orrantia,  presented  in  Les  Rencontres                        |
            d' Arles and Offprint Paris (France, 2018). Her ongoing body of work Migrare 
            originated as a response for The  State of Things exhibitted in 2022 for the  
            Landskrona  Photo Festival (Sweden,2022). Eugenia  self-published her  large                           o
            format  folio  publication  Con  Sol. Con Agua(2019) which was presented at
            Unseen Platform, Amsterdam and Offprint Paris in 2019.
            
            She took  part  in the URRA  artist residency  in  Buenos Aires in 2010 and                         
            was awarded the Arts Foundation Fellowship for Still  Life  Photography  in                       
            2013.  Her work was exhibited at Centro  Cultural  España (Uruguay, 2009),                          
            Format Festival (UK, 2009), Galeria  del  Infinito  Arte (Argentina, 2010),                         |
            Maddox  Arts  (UK, 2014), Pinta  London (2014), Photo London (2015) amongst                         |
            others. 
            
            
            
            
            Aware  of  the   historical  and  ongoing   intersections  of   sculpture  and                       |
            photography,  Eugenia  uses  the  camera  to  give  permanence  to  temporary                        |
            compositions.  She  works  both with  analogue as well as digital photographic 
            processes. She is drawn to objects, surfaces and trailing bits and bobs within                  |
            the domestic environment varying in nature. Such as thoughts, habits, a rubber                  |
            band, or the colour of an office folder. Everyday, colour and materiality. 
            Collecting, drawing, placing, balancing, photographing. Responding to a moment, 
            allowing to be provoked by utterances in the mundane, corresponding with someone                    |
            abroad, these are ways of working she employs in what is a loose and fragmented 
            practice. These fragments often find their place in publications.                                   |   
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            Games, collaboration and play increasingly surface in her work. Within a sphere, 
            of close  friends  and  family, who  become  active participants as both
            receivers and creators  of  work  as in the pandemic initiative Festival
            de Animacion. 
            
            
            
            CONTACT                                                                                             O
            
            hello[at]eugeniaivanissevich.com
            
            
            INSTA 
            
            @eugenia.ivanissevich